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Dog Photographer Erin Vey bio picture

Meet Erin Vey

I am a dog lover first.

A photographer second.

By some random chance of fate, I was able to combine the two loves into the coolest job ever: A Dog Photographer

I grew up in a family where dogs were always an integral part of our lives and most importantly, members of the family. Most of my childhood was spent with various Basset Hounds of the lovable but extremely stubborn variety. We never had less than 2 at any given time, sometimes 3, and the occasional stray that one of us would bring home for a visit.

After a short stint doing portrait work, which I still love, I realized my true calling is capturing the essence and personality of dogs. Upon reflection, I feel that my time doing portrait work was not wasted. Because of it, my experience with portrait work flows beautifully into working with people and their dogs.

My husband and I are owned by the fabulous Miss Gracie, a 5 year old Great Dane who brings energy and life into our house. You’ll see her around here a lot, she loves having her portrait taken (at least I like to think so).  She is a complete Diva and if you stick around long enough, you'll know what I'm talking about!

What an amazing adventure this has been so far. I’m so glad you are here experiencing it with me.

10 Questions

This is an awesome post that was just sent to me via my favorite e-toy: The Google Alert. Don’t know about it? Go google it now. It’s a beautiful thing.

I like this article because Mike lists 10 fundamental questions that you really should know the answers to if you consider yourself a photographer.

I’ll list a few here, but go read the article. Visit Mike Helm’s Article Here

. . . .

4. The battery in your camera’s light meter has died and you want to take a photograph outside on a clear sunny day. You’re shooting on Ilford PanF 50 film. What shutter speed do you select? (The shutter speeds and aperture on your camera are mechanically controlled, and not affected by the light meter’s dead battery … this isn’t a trick question)

8. Explain what “push” and “pull” is in developing film.

9. Explain the significance of an 18% grey card.

. . . .

I found this article really relevent because just a few days ago I was chatting with a client about how the principles I learned in my film class really translated quite well from the traditional darkroom to the digital darkroom.

A class can never hurt. At the very least you learn a few things and meet some really interesting people. I sure did. But those stories are better told in person. Over a glass of wine. They are classic.

Enjoy the artcle!

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